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Scene & Structure (Elements of Fiction Writing), by Jack M. Bickham
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Craft your fiction with scene-by-scene flow, logic and readability.
An imprisoned man receives an unexpected caller, after which "everything changed..."
And the reader is hooked. But whether or not readers will stay on for the entire wild ride will depend on how well the writer structures the story, scene by scene.
This book is your game plan for success. Using dozens of examples from his own work - including Dropshot,Tiebreaker and other popular novels - Jack M. Bickham will guide you in building a sturdy framework for your novel, whatever its form or length. You'll learn how to:
- "worry" your readers into following your story to the end
- prolong your main character's struggle while moving the story ahead
- juggle cause and effect to serve your story action
As you work on crafting compelling scenes that move the reader, moment by moment, toward the story's resolution, you'll see why...
- believable fiction must make more sense than real life
- every scene should end in disaster
- some scenes should be condensed, and others built big
Whatever your story, this book can help you arrive at a happy ending in the company of satisfied readers.
- Sales Rank: #152205 in Books
- Brand: Bickham, Jack M.
- Published on: 1999-03-15
- Released on: 1999-03-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .53" w x 7.00" l, .60 pounds
- Binding: Paperback
- 168 pages
- Used Book in Good Condition
About the Author
Bickham is a former creative writing professor.
Most helpful customer reviews
74 of 75 people found the following review helpful.
Nuts and bolts for your creative engine
By A Customer
With due respect to other reviewers (below), I think they overlook the central strengths of Bickham's "Scene & Structure" and home in on peripheral weaknesses.
An absolute prerequisite to success in any craft is acquiring its vocabulary. If you go in for graphic design, you'd better know how to use concepts such as contrast, repetition, proximity and alignment. And if you go in for fiction-writing, you'd better be able to use concepts such as scene, sequel, conflict, stimulus-response, and so on.
You might have a layman's understanding of what a scene is, but from the writer's standpoint, exactly what is a scene? What is its purpose? What work does it do in the overall structure of a story? What are its elements? What sorts of variation are possible? How do you control the pace of a scene? How do you effectively connect one scene with another?
These are the kinds of questions Bickham answers in useful detail and with comprehensible illustrations. If the excerpts from his own writing in the appendices aren't masterpieces, as some reviewers complain, they do serve to illustrate specific principles and techniques discussed in the text, and these are what make the book worth studying. To mention just one example, before encountering this book I had never grasped -- never even heard of -- the distinction between a scene and a sequel. Yet it's an essential distinction that a fiction-writer must know how to use. Bickham tells you, shows you, how to use it -- and many, many others.
Bear Bryant was no Joe Namath. Bob Fosse was no Fred Astaire. The best coaches and teachers are rarely top-notch practitioners of their arts. Jack Bickham is no Charles Dickens, granted. But he is an insightful teacher whose book can be of value to any writer who approaches it as a source of instruction rather than a model of artistic excellence. And as for "rules" about ending every scene with a disaster or explicitly stating the goal of every acene, if these strike you as wrong, vary them. If you aren't creative enough to think of exceptions to an "all or nothing" rule, are you really creative enough to write fiction?
67 of 69 people found the following review helpful.
Looks like it'll be dull--it's anything BUT!
By Teri Tasker
Where was this book when I was writing my first three novels? Halfway through this book, I threw out everything after chapter two of my current book (and I had 13 chapters already written!) and started rewriting feverishly. Powerful stuff. If you haven't read this book, you probably don't know enough about how to write captivating scenes and what to do with the characters AFTER the scene is over. I only put this book down long enough to apply what I was learning. It's worth every penny. A heartfelt wish Jack Bickham had written much, much more about the art of writing...
48 of 52 people found the following review helpful.
Rating the Elements of Fiction Writing
By A Customer
I've read all the books in the Elements of Fiction Writing series and this is how I'd rank them.
"Scene & Structure" "Characters & Viewpoint" "Beginnings, Middles & Ends"
The above three books are invaluable -- must reads. They are the best of the series, in my opinion, and are packed with good information on every page. Well-done.
"Conflict, Action & Suspense" "Description" "Plot" "Manuscript Submission" "Setting"
The above five books are good, solid reads. Again, they contain good information and cover the subject decently.
"Voice & Style" "Dialogue"
To me, the last two books need to be rewritten. They are by far the weakest of the series. Both suffer from an annoying style, particularly Dialogue, and both are very skimpy on real information. Neither one is very helpful.
This is the order in which I'd recommend reading them.
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