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[S266.Ebook] Free Ebook Kengo Kuma: Selected Works, by Botond Bognar

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Kengo Kuma: Selected Works, by Botond Bognar

Kengo Kuma: Selected Works, by Botond Bognar



Kengo Kuma: Selected Works, by Botond Bognar

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Kengo Kuma: Selected Works, by Botond Bognar

Evanescent. Restrained. Ethereal. These are some of the words used to describe the architecture of Kengo Kuma, one of the most heralded of a new generation of Japanese architects. A recent article in Architecture writes of Kuma that "he strives to give his buildings the qualities of a rainbow, composed of shimmering particles, more illusion than object, that change as you look at them."
Increasingly the focus of international renown, Kuma's work is characterized by a delicate simplicity and minimalism, incorporating a wide range of ephemeral transparencies. Their ineffable vibrancy is achieved largely by the extensive and skillful use of screens: metal, wooden, bamboo, and even stone louvers or slates, as well as paper, plastic, and glass surfaces or membranes. His use of new, sophisticated, and efficient technologies, his sensitivity to site, and his attention to the ecological and prevailing social context of his work are all explored in Kengo Kuma: Selected Works, the first full-length monograph on the work of this enormous talent. Included are all of Kuma's most recent projects, including the Museum of Ando Hiroshige, the Stone Museum, the Horai Onsen Bath House in Atami, Louis Vuitton Tokyo Headquarters, and the Nagasaki Prefectural Museum.
Kengo Kuma: Selected Works is an essential addition to the library of anyone interested in the best contemporary architecture.

  • Sales Rank: #3213124 in Books
  • Published on: 2005-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .70" w x 8.90" l, 2.16 pounds
  • Binding: Paperback
  • 192 pages

Review
In many ways this is a sweetheart of a little book... the editors have remained true to the Smithson spirit, and their book is a fitting tribute. -- Architectural Record, Feb. 2007

Kuma is the poet of translucency...This handsomely illustrated volume is an ideal compendium of his first 15 years... -- LA Architect, July/August 2005

This gorgeously illustrated volume is the first full-length monograph on the 53-year-old Kuma. -- Architectural Record, Feb. 2007

About the Author
Botond Bognar is professor of Architecture and Associate at the Center of Advanced Study, University of Illinois. He is the author of numerous books on Japanese architecture including The Japan Guide .

Most helpful customer reviews

3 of 3 people found the following review helpful.
Kengo Kuma
By Joongwon Lee
The book is structured in three parts. It starts with Kengo Kuma's 4 pages of introductory writing, then, Botond Bognar's writing on Kuma, and finally, series of images that captures the essence of each project. Here is an architect whose ultimate goal of design is to erase so that a building would become one with its surroundings.

It sounds almost suicidal and dumb for an architect to say it, but Kuma writes ",,,stone is not my favorite material,,, for the same reason,,,I do not like concrete..." The solidity of the two materials are heavy and suffocating for him. By actively throwing away two of the most favored materials, Kuma has opened a new dimension for glass/wood/paper.

His keyword for the use of these materials is "Particlization." Repetition of slats/ sliding panels/ shoji screens/ bamboos are some of recurring elements of his architecture. Many Japanese architects past and present have used these tradition-referenced elements, yet rarely has one achieved the level of perfection and sophistication that Kuma has achieved. His architecture talks about the mystery of dense filtering.

Wood, is light, yet when repeated by Kuma, it becomes dense and heavy. Wood also decays, yet when used in Kuma's fashion, it expresses duration and sublimity (ex, Museum of Ando Hiroshige). Seeing the plans of Kuma's architecture, one would easily be in a state of deja vu. Katsura Palace's bipolarization of garden and building is strikingly miniaturized in his plans (ex, River/Filter, Water/Glass). Element of garden (sometimes reflecting pool) dissolves his architecture into bigger surroundings.

This book helped me see two things. One, Kengo Kuma's obsession with the idea of "erasing"; and the other, a possible connection to the traditions of Japanese architecture in the contemporary practice. Lastly, Bognar's essay helps us to locate Kuma in the context of other Japanese architects and also help us to analyze material/spatial/tradition-related issues of Kuma architecture.

6 of 8 people found the following review helpful.
Good works, OK book
By DLIN
Kuma always seek to experiment w/ new materails, and the subsequent construction and detailing in his projects are quite unusual and interesting. The formulation of new material and its tectonic, unlike that of Herzog & de Meuron, has systematically addressed the issues of 'Transparency' and 'Dematerialization', in a clearly Japanese fashion, and I can't help but recall Mies's (unfinished) pursuit of same concept, although the latter eventually became reconciled by resolution of structural system, which is almost philosophical, a polar opposite to the 'phenomenal' Barcelona Pavilion project.

Anyway, enough of arch history sentiment . I'm kinda disppointed in the editing of this book. Instead of focusing on the best ones, this book assigns about same numbers of pages to every work, including the mundane, mediocre one. [...].

1 of 2 people found the following review helpful.
he is the awesomest
By the color yellow
Yes, he is. I got some major cred with my nerdy architect boyfriend when I brought home this bad boy. Kuma is just starting to get his name mentioned in design mags and books. I hope he becomes more famous than his compatriot and fellow bamboo-builder Shigeru Ban (although his philosophy is a bit different). Good to keep on hand for design or art inspiration.

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